![]() When popular music interest shifted from ragtime to jazz at the end of the 1910s, Lamb went to work for an accounting firm, only occasionally playing music as a hobby. Some of Lamb's best regarded rags include American Beauty, Bohemia, Ragtime Nightingale, Cleopatra, Topliner and Sensation. Lamb, of Irish decent, is usually regarded as the only non African American of the great early classic ragtime composers. Joplin was favorably impressed with Lamb's compositions, and recommended him to a publisher. ![]() Lamb went to work for a music publisher in New York City where he met his idol Joplin. He taught himself to play the piano, and was very taken with the early ragtime publications of Scott Joplin. Lamb (Decem1960) was a noted USA composer of ragtime music. Lamb died in Brooklyn of a heart attack at age 72.Joseph F. (Many were surprised to find that not only was he still living, but that he was white.) He also composed some new rags, brought out some of his old compositions that had never been published, and made some recordings. With the revival of interest in ragtime in the 1950s, Lamb shared his memories of Joplin and other early ragtime figures with music historians. That same year, his album, Joseph Lamb: A Study in Classic Ragtime, was released by Folkways Records. "Bohemia Rag" was the last Lamb rag published before his death in 1960. Lamb stopped publishing his music, playing and composing only as a hobby. Henrietta died of influenza in 1920, about the same time that popular music interest shifted from ragtime to jazz. Fred Helf Music Publishing Company and later, starting in April 1914, as an accountant for L. In 1911, Lamb married Henrietta Schultz and moved to Brooklyn, New York. In addition, Lamb surpassed ragtime’s usual four-measure phrase structure. He used a great diversity of texture for all of his rags. His contributions to the ragtime literature also show his unique traits. Second, he emphasizes on the harmonic sonority of the diminished seventh with upper-neighbor appoggiatura. First, he uses sequence for development purposes. Lamb’s works show individual stylistic traits. "Contentment Rag" (1915) and "Patricia Rag" (1916) have both characteristics of “heavy” rags and “light” rags. This style of rags includesī) The “light” rags which have the cakewalk tradition show the narrow-range melodies inspired by Joplin. Lamb’s twelve rags published by Stark from 1908 to 1919 can be divided into two groups:Ī) The “heavy” rags which are incorporated with Scott Joplin’s melody–dominated style and James Scott’s expansive use of the keyboard registers. Stark published Lamb's music for the next decade, starting with "Sensation". Joplin was favorably impressed with Lamb's compositions, and recommended him to classical ragtime publisher John Stark. ![]() In 1907 Lamb was purchasing the latest Joplin and James Scott sheet music in the New York City offices of John Stark & Son when he met his idol Joplin. Jerome's College in 1904 to work for a dry goods company. The youngest of four children, he taught himself to play the piano, and was very taken with the early ragtime publications of Scott Joplin. ![]() Lamb, of Irish descent, was the only non-African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. Joseph Francis Lamb (Decem– September 3, 1960) was a noted American composer of ragtime music. ![]()
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